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- Poetry Films and Performances
- About
- Resources
- Essays
- WRITING POETRY FOR POETRY FILMS: an exploration of the use of spoken word poetry in poetry films
- In conversation with Dave Bonta, Chaucer Cameron & Helen Dewbery
- A Rumination on Visual Text in Videopoetry by Tom Konyves
- Filmpoetry and Phenomenology by Susannah Ramsay
- In Retrospect: a Manifesto and its Underpinnings by Tom Konyves
- Film Poetry: A Historical Analysis by Fil Ieropoulos
- Exploring Contemplative Effects in Text-based Video Poems by Sarah Tremlett
- New Media and Narrative: Videopoetry and its Combination of Challenge to and Co-existence with Lyrical Tradition
- Diana Taylor – Interview and Poetry Films
- Mab Jones
- Martin Rieser
- Adam Steiner
- Paul Casey
- Andra Simons
- The Book of Hours: Deborah Harvey reviews the book
- Review by Marie Craven of Dave Bonta’s Winter Trees: a videohaiku sequence
- Training
- Submissions
- Home
- Poetry Films and Performances
- About
- Resources
- Essays
- WRITING POETRY FOR POETRY FILMS: an exploration of the use of spoken word poetry in poetry films
- In conversation with Dave Bonta, Chaucer Cameron & Helen Dewbery
- A Rumination on Visual Text in Videopoetry by Tom Konyves
- Filmpoetry and Phenomenology by Susannah Ramsay
- In Retrospect: a Manifesto and its Underpinnings by Tom Konyves
- Film Poetry: A Historical Analysis by Fil Ieropoulos
- Exploring Contemplative Effects in Text-based Video Poems by Sarah Tremlett
- New Media and Narrative: Videopoetry and its Combination of Challenge to and Co-existence with Lyrical Tradition
- Diana Taylor – Interview and Poetry Films
- Mab Jones
- Martin Rieser
- Adam Steiner
- Paul Casey
- Andra Simons
- The Book of Hours: Deborah Harvey reviews the book
- Review by Marie Craven of Dave Bonta’s Winter Trees: a videohaiku sequence
- Training
- Submissions