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    • Filming Yourself Reading a Poem
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    • WRITING POETRY FOR POETRY FILMS: an exploration of the use of spoken word poetry in poetry films
    • In conversation with Dave Bonta, Chaucer Cameron & Helen Dewbery
    • A Rumination on Visual Text in Videopoetry by Tom Konyves
    • Filmpoetry and Phenomenology by Susannah Ramsay
    • In Retrospect: a Manifesto and its Underpinnings by Tom Konyves
    • Film Poetry: A Historical Analysis by Fil Ieropoulos
    • Exploring Contemplative Effects in Text-based Video Poems by Sarah Tremlett
    • New Media and Narrative: Videopoetry and its Combination of Challenge to and Co-existence with Lyrical Tradition
    • Diana Taylor – Interview and Poetry Films
    • Mab Jones
    • Martin Rieser
    • Adam Steiner
    • Paul Casey
    • Andra Simons
    • The Book of Hours: Deborah Harvey reviews the book
    • Review by Marie Craven of Dave Bonta’s Winter Trees: a videohaiku sequence
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  • Home
  • Poetry Films and Performances
  • About
  • Resources
    • Filming Yourself Reading a Poem
    • How to Make Voice Recordings at Home
  • Essays
    • WRITING POETRY FOR POETRY FILMS: an exploration of the use of spoken word poetry in poetry films
    • In conversation with Dave Bonta, Chaucer Cameron & Helen Dewbery
    • A Rumination on Visual Text in Videopoetry by Tom Konyves
    • Filmpoetry and Phenomenology by Susannah Ramsay
    • In Retrospect: a Manifesto and its Underpinnings by Tom Konyves
    • Film Poetry: A Historical Analysis by Fil Ieropoulos
    • Exploring Contemplative Effects in Text-based Video Poems by Sarah Tremlett
    • New Media and Narrative: Videopoetry and its Combination of Challenge to and Co-existence with Lyrical Tradition
    • Diana Taylor – Interview and Poetry Films
    • Mab Jones
    • Martin Rieser
    • Adam Steiner
    • Paul Casey
    • Andra Simons
    • The Book of Hours: Deborah Harvey reviews the book
    • Review by Marie Craven of Dave Bonta’s Winter Trees: a videohaiku sequence
  • Training
    • Login
  • Submissions

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