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a new way with poetry

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    • WRITING POETRY FOR POETRY FILMS: an exploration of the use of spoken word poetry in poetry films
    • In conversation with Dave Bonta, Chaucer Cameron & Helen Dewbery
    • Filmpoetry and Phenomenology by Susannah Ramsay
    • Film Poetry: A Historical Analysis by Fil Ieropoulos
    • Exploring Contemplative Effects in Text-based Video Poems by Sarah Tremlett
    • New Media and Narrative: Videopoetry and its Combination of Challenge to and Co-existence with Lyrical Tradition
    • Andra Simons
  • Submissions
  • Training and Resources
  • Home
  • Selected Poetry Films
  • About
  • Essays
    • WRITING POETRY FOR POETRY FILMS: an exploration of the use of spoken word poetry in poetry films
    • In conversation with Dave Bonta, Chaucer Cameron & Helen Dewbery
    • Filmpoetry and Phenomenology by Susannah Ramsay
    • Film Poetry: A Historical Analysis by Fil Ieropoulos
    • Exploring Contemplative Effects in Text-based Video Poems by Sarah Tremlett
    • New Media and Narrative: Videopoetry and its Combination of Challenge to and Co-existence with Lyrical Tradition
    • Andra Simons
  • Submissions
  • Training and Resources

Numbers

poetry film by Martin Evans

Snowblindness

Snowblindness by Robert Peake with music by Valerie Kampmeier

Offering

Swoon (aka Marc Neys) from a poem by Paul Perry

Double Life

Marie Craven from a poem by Cindy St. Onge

Goddank | Thank heavens

Judith Dekker from a poem by Max Temmerman

Interview with Martin Rieser

Visiting Professor in the Digital Cultures Research Centre at University of West of England

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